By Nick Vivarelli
LOS ANGELES (Variety.com) – Veteran Australian director Rolf De Heer (“Ten Canoes”) is making a new film with an Aboriginal theme set in South Australia and Tasmania called “The Mountain”, for which Fandango Sales of Italy launches AFM online sales.
âThe Mountainâ (pictured above in a first look image) tells the story of a central character named BlackWoman, who is abandoned in a cage in the middle of the desert. After escaping from the cage, “she crosses the plague and persecution, from the desert to the mountains to the city, to find … no more captivity,” the film’s synopsis read.
“BlackWoman walks and walks, past ruins and dunes until she finds boots, skeletons and skulls, a destroyed world where few survive and where your newly acquired boots can be stolen at the forefront. a gun.”
“Those in charge are reluctant to release their privilege, and BlackWoman, escaping once again, must find solace in his early days,” he adds. The film stars Mwajemi Hussein, Deepthi Sharma and Darsan Sharma.
De Heer’s previous films include “Ten Canoes”, which is the first feature film in an Aboriginal Australian language and won the Un Certain Regard Special Jury Prize at Cannes in 2006; “Dance me to my song”; “The quiet room”; “The Alexandra project”; “The Tracker”; “Bad Boy Bubby”; and “Charlie’s Country”, his third collaboration with Aboriginal actor David Gulpilil, screened in Cannes in 2014.
“The Mountain” is directed by Australian producer Julie Byrne (“I Am Mother”, “The Babadook”) alongside Heer, and co-produced by Ari Harrison (“The Furnace”).
The film is a Vertigo Prods. and the Triptych Pictures joint venture, funded in association with the South Australian Film Corp. and the Adelaide Film Festival. Umbrella Entertainment will distribute the film in Australia while Rome-based Raffaella Di Giulio de Fandango, who has a long-standing relationship with de Heer, handles international sales.
Fandango’s close ties to the Sydney-based author date back to 1993 when Procacci boarded “Bad Boy Bubby” as a producer. This film won the Special Jury Prize at the Venice Film Festival that year.
Our standards: Thomson Reuters Trust Principles.